AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example

AP Spanish Literature and Culture LITERARY MOVEMENTS Essay Example AP Spanish Literature and Culture LITERARY MOVEMENTS Paper AP Spanish Literature and Culture LITERARY MOVEMENTS Paper furthermore, women's activist writing vanguardismo cutting edge developments of scholarly experimentation; incorporates the surrealist development (worried about dreams and mind flights); Pablo Neruda, Dragã ºn, Lorca teatro del absurdo with the conviction that human presence has no importance or reason, these works are deliberately ludicrous, demonstrating man in an irrational, endless world yet as yet conveying a meaningfull message; exchange incorporates clichã ©s and word games; Dragã ºn Generaciã ³n del 98 a gathering of authors, artists, writers, and logicians dynamic in Spain at the hour of the Spanish-American War; analysis, standards, innovativeness; included Miguel de Unamuno (strict subjects), Antonio Machado (individual and all inclusive topics) costumbrismo an abstract translation of nearby regular daily existence and customs (nineteenth century); sentimental enthusiasm for excessive articulation + sensible, exact spotlight on a specific time and spot; went before (and prompted) both Romanticism and Realism barroco a seventeenth century social and imaginative development that was the advancement of thoughts and subjects figured during the Spanish Renaissance; included culteranismo and conceptismo; Gã ³ngora and Quevedo in Spain + Sor Juana in Mexico romanticismo in light of neoclassicism, this development concentrated on the excellence of creative mind, the unpredictable idea of human soul, and the common world; Rima LIII (Bã ©cquer), En una tempestad (Heredia) Siglo de Oro period from 1942 (Christopher Columbus, end of Reconquista) to 1659 portrayed by a thriving in Spanish expressions and writing that included romantecismo and barroco; Don Quijote, Garcilaso, Gã ³ngora, Quevedo neoclasicismo development in which authors thought back to figures, for example, Garcilaso and Quevedo and were motivated by old style beliefs; later incited a negative response from sentimentalists, who were themselves censured by pragmatists